|
There are two basic types of hurdle, the gate hurdle and the wattle hurdle, with various regional patterns of each. The making of hurdles requires various techniques which can also be used to make a range of other products. Wattle hurdles are one of the main hazel products, and a skilled worker with access to good quality hazel coppice can make a living from hurdle making. The gate hurdleThe gate hurdle, which is like a lightweight farm gate, was traditionally used to pen sheep, pigs or bullocks, but its main use is now in gardens. Sweet chestnut is the best wood, but ash, oak, elm, hazel and willow may also be used. Typical dimensions are shown, but vary with area and use. Some patterns have six rails for better stock control. Kent hurdles have a metal ring or ferrule around the top of each upright, to protect it from damage whilst being driven into the ground.
>
>
>
Wattle hurdlesThe wattle hurdle has a dense weave, to make a windproof barrier for sheep pens and garden uses. Hazel is the best material to use, being pliable, strong and long-lasting. Willow can also be used, but is not nearly so durable.
You should be experienced in using a single-handed billhook and in keeping it sharp, and you will need strong wrists and fingers to bend the material to shape. Hurdles for enclosing sheep are normally 6' (1.8m) long by 3'6" (1m) high, with 10 uprights or sails (also called zales). Garden hurdles are usually the same length, but various heights are made. Because they are moved less than sheep hurdles and therefore don't have to be quite so robust, only 9 sails are used. The section below describes one method of constructing a garden hurdle, but variations in style and technique will be found. Hurdles are a traditional product, made to imperial measurements, which are therefore used in the diagrams below. Tools and materials
A hazel hurdle requires a quantity of straight coppiced rods, from 1/2" (12mm) to 11/4" (30mm) diameter. Some are used in the round, but most are split. Techniques for splitting thin rods are described below. Hurdle mouldThe mould should be prepared in a workshop from a piece of timber 8' (2.45m) long x 4" (10mm) x 8" (20mm). Angle the holes, as shown, to take the sails. The mould must be firmly secured to the ground at each end, by one of the methods shown below. Preparing the sailsThe end sails should be 3/4"-11/4" (20-30mm) diameter, used in the round. The remaining sails can be round, but are usually split from stems 1-11/2" (25-40mm) diameter. The sails should be straight, and must be stiff enough to ensure that the horizontal rods bend in and out of them without forcing them out of position. To split a stem, prop it against the post and position the spar-hook across the end, and then tap the back of the blade with a billet to start the split. Then proceed as for split rods (see below). Sharpen the thicker end to fit into the hole of the mould to a depth of at least 5" (125mm). The safest way is to hold the sail upright on a block or post, and then trim downwards with the spar-hook. Cut to the required length. The split surfaces of the sails can face either direction. A consistent pattern will help identify your work! Splitting a rodUse a thatcher's spar hook or a light curved billhook. The easiest rods on which to practise are those with a 'Y' shaped fork at the upper end of the rod, where the rod is about 3/4" (18mm) diameter.
>
That's the theory! In practice, note the following:
>
>
>
DoublingThis is the technique of bending and twisting a round or split rod around the end sails and back on itself. If you merely bend it, the rod will break.
Starting offIn the following descriptions, sails are numbered 1-9, and rods are a, b, c, Of the three basic weaving patterns required, the one you need first is the most difficult to master, with numerous different styles adopted by different craftsmen. Round rods are used for this bottom section. The essentials of the starting weave are that a pair of rods cross at the bottom between 2 and 3, and between 7 and 8. The inner ends of these four rods (a, b, e, f) are woven into the body of the hurdle immediately; the other ends are left protruding until about 8" (200mm) of weave has built up. They are then curved upwards to turn round the end-sails, so 'hitching up the skirts' of the hurdle, so the weave cannot fall down at the bottom (see diagram above). No rod has its end in contact with the mould; all ends are supported on other rods. The weave is built up to the right with a succession of rods to create a long triangle, and then levelled out again with an equivalent process to the left, creating another triangle. The first rods are lifted and woven over the later rods, locking the section together. As you do steps 3-7 below, use your loppers to trim back the ends of each rod as it is woven into its final position, so the ends don't interfere with the next rod. Rods a and b are preferably at least 9' (2.7m) long. They will hitch up the left end of the hurdle, so choose the best quality material for them, to avoid breakage at a late stage of construction!
>
Level this out with a left-hand triangle as follows:
Weaving the main bodyAs before, stand on the convex side or front of the hurdle, with the cut ends of the bottom section to the back. The split rods are woven so that their flat surfaces face away from you. The simplest form of weaving is used, with each rod going alternately in front and behind the sails. You must keep the sails reasonably in line. A strong rod which tends to push them out of position can be counteracted by a similar weight rod woven in immediately above. Compact the weave by periodically tapping down with the billet. The only problems are joining in new rods, and maintaining the rectangular shape of this middle section. To make a simple join, let in the next rod by poking it into the weave, so that it takes over from the old rod and continues in the same direction.
Where the rod runs out at the end, you can use two or three 6' (1.8m) rods in succession without turns, but you must ensure there are enough turned rods to hold the hurdle together. If one end of the weave gets higher than the other, take advantage of irregularities in your material to even it out. Or when you add a new rod at an inner sail, reverse the direction of weave as shown below. Measure the dimensions of the developing hurdle at intervals. If an end sail splays outwards, bend it in with your shoulder as you turn a rod around it. If the sail tends inwards, make the turn and then tug the sail out before continuing the weave. If the inner sails deviate sideways, tap them back into position with your billet. The last rod of the main body should go behind 1 and 9.
The tops of the sails should all finish along the same gentle curve as the bottom ends. You will probably need to strain the half-completed hurdle or individual sails from time to time to keep the hurdle in shape. Some warp in the completed hurdle will flatten out as it dries, but if any sail gets badly out of position you will be in trouble, as the rods will not bend round it without breaking. Finishing the hurdleFirst you must build the final right triangle. Use three 7' (2.1m) rods, each doubling round 9, the technique 1-3* above, reversed. Thus:
To form a locking weave for the final left triangle, you have to insert both ends of each rod under an existing rod. The trick for the second end of the rod is to bend it into a bow past three sails, push the end into place, and then lift the rod over the 'missed' sail to complete the weave.
>
Trimming and stackingLift the completed hurdle from the mould. Cut off any protruding ends of rods and stack the hurdles on top of one another with their convex sides uppermost to dry out for a week or so.
All content copyright © 1986-2008 BTCV Ltd. Registered charity No. 261009 |